My Take on Felix the Cat

Our cartooning assignment last week was to do a two strip autobiographical take on a specific old newspaper comic. I was assigned Felix. After reading a whole book of the ’20s strip, I really grew to like the little guy. I decided to put myself in his world and not the other way around. I’m pleased with how it came out. See if you can find the one spot where I forgot to fill in the pattern. Apologies to Otto Messmer.

and…

Sometimes I Like Knowing My Way Around This City

I was there today, all wrapped up, near the National Portrait Gallery. Above was more or less my vantage point. The video and audio was out of sync, it was nippy right around freezing, and the moving around in the crowds afterwords was trying, but I was there, and it felt important. And at the same time it was a little surreal. For those of us that largely became politically aware in the last eight years, I think things will be disconcerting for a while. The new Whitehouse.gov is already evidence of that. We’ve had our post-election breather people, let’s lean forward and read the news again.

The Cuban Missive Crisis

Here’s a new comic. It’s a little different from some of the other stuff I’ve done: mainly it’s fictional. Click on the picture to see it larger.

Postcard #1: Marvin Gaye

One of the authors of a blog I read regularly recently mentioned that he keeps up a postcard regimine. Coincidentally, a friend of mine frequently sends my house postcards/messages/collages.  I really like the idea of sending people random postcards, and I think I’ll start doing it weekly. The first one is above. Not only is it a brief and welcome distraction from routine, my family has inherited a (miniscule) wealth of old stamps that have no real value but are still really cool.

I mean, that’s pretty great design. Check out some others. So if you recieve a postcard from me, feel free to respond! I want to correspond with pretty much everyone. Leave addresses in comments if you want, or email me your address.

Buckminster Fuller at the Whitney

Buckminster Fuller was an inventor, a visionary, and above all an eccentric. Fuller invented many fantastic things and most of them were totally impossible, but also awesome and patentable. His triumph was the geodesic dome, of which “Spaceship Earth” (a term Fuller coined) at Epcot is based on. I recently went to see a comprehensive exhibit on ol’ Bucky at the Whitney in Manhattan.

As a choice of subject for a modern and contemporary American art museum, Fuller is perfect. Fuller came from a wealthy New England family but never finished college. Instead, he began prolifically inventing in what he called “4D” and later “Dymaxion.” Fuller came up with some crazy shit, but some things like the Dymaxion Map (pictured folded together above) seem genius to me.

The exhibit gushes on Fuller’s tremendous innovation, but a concurrent New Yorker article by Elizabeth Kolbert is more quick to criticize. It seems that while Fuller’s inspiration is immeasurable, his track record is not that impressive. Geodesic domes have even been known to leak. However, I have a hard time caring. Fuller is a fountain of sci-fi inspiration and was known to have a pop culture knack. Placed at the beginning of the exhibit is a chart Fuller made of his own accomplishments. He charts them against major political events as well as popular dances throughout the twentieth century. Dude knew what was up.

Photo courtesy of flickr user super-structure.

A Paris Journal

Well I’m home. Bigger soda containers and even bigger automobiles. More culture shock reflections to come. Now, the first European post in retrospect. I’m going to try and hit the main places, though I may not go in order. Going to get my three disposable cameras developed soon.

As promised, here are my thoughts on Paris that I jotted down while I was there. I tried to get a “drawing” on each page. Almost. Sorry if you can’t read it, that’s my actual handwriting. Click to enlarge, more after the jump.